Consider the photograph here of the half-length statue of Shakespeare on his funerary memorial in Trinity Church, Stratford, with the image of Shakespeare in popular culture, and especially Shakespeare as a young artist and lover in the 1998 blockbuster Shakespeare in Love.  Consider how unrecognizable the Shakespeare in the monument is, as Shakespeare, because Shakespeare is assumed to be youthful and thin. Nineteenth-century responses to the monument help us trace the development of a particularly toxic modern understanding of the fat and thin body, in which the fat body is seen as slow, slow-witted, and eventually prematurely aged, and the thin body is seen as vibrant, quick-witted, and young. As Shakespeare cannot be imagined as “fat,”, so too a fat…

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