I watch a video of professional marathon runner Mirna Valerio. Juxtaposed with the footage of her fat black body running through the woods, she reads—in a static, calm, level voice—an email that was sent to her: “You are a liar and a fraud. You are not a runner. I have seen your few videos where you actually pretend to run. What a joke! You are moving no faster than I can walk.” I watch Valerio’s body zig and zag in between trees. The camera lens lingers on her thick thighs as they land on the damp earth with thuds. I watch the flab on her arms and tummy jiggle, listen in for her deep breaths. She is not fast, but…

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Consider the photograph here of the half-length statue of Shakespeare on his funerary memorial in Trinity Church, Stratford, with the image of Shakespeare in popular culture, and especially Shakespeare as a young artist and lover in the 1998 blockbuster Shakespeare in Love.  Consider how unrecognizable the Shakespeare in the monument is, as Shakespeare, because Shakespeare is assumed to be youthful and thin. Nineteenth-century responses to the monument help us trace the development of a particularly toxic modern understanding of the fat and thin body, in which the fat body is seen as slow, slow-witted, and eventually prematurely aged, and the thin body is seen as vibrant, quick-witted, and young. As Shakespeare cannot be imagined as “fat,”, so too a fat…

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In recent years, body, health, morality and the neoliberal capitalist economy have become caught up with each other in a major way in both the public discourse and public policies concerning fatness. Against the backdrop of the dominant neoliberal rationale, the fat body has been ranked as an “expensive” body, but not just that; the fat body is constructed as a kind of “anti-neoliberal” body that is unproductive, ineffective, and unprofitable. Thus, fatness, health, and the economy are bound together materially, symbolically, and morally. This is particularly visible in the so called obesity epidemic discourse that has dominated public discussion of fatness over the past fifteen years.   In the spring of 2010, an unusual weight loss campaign ran in…

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Fat bodies are not en vogue. In current advertisements, films, books, magazines, etc. we hardly find fat children’s bodies at all or depicted in a positive way. In her recentbook Fa(t)shonista, the German fat activist and feminist Magda Albrecht describes her childhood and her weight as a permanent occasion to comment on. The ideology of childhood seems to be one of lightness, friendship, joy, and normative bodies. Fat children or even fat heroines remain almost invisible, they are ”missing bodies” in a discourse in which certain bodies are of higher value than others, as Monica J. Casper and Lisa Jean Moore pointed out. Moreover, when fat children are depicted, they are often shown without heads or from the back. Psychotherapist…

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Eighteen years ago, in an article titled “Losing Weight: An Ill-Fated New Year’s Resolution,” the editors of the New England Journal of Medicine took the US American medical establishment to task for its promotion of weight loss dieting. The editorial noted that, for most people, permanent weight loss is not possible; and, they observed, evidence suggesting that dieting confers health benefits is “limited, fragmentary, and often ambiguous.” When this editorial was published in 1998, it was already old news that diets don’t work. For decades, fat activists had been pointing out that the medical literature shows diets to have a failure rate of 95% or higher. What’s more, diets make people fatter over the long term, and repeated attempts to…

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