Low-carb diets have long ago become a fixture in the diet scene. Their high-protein meal plans often rely heavily on meat (although there are also attempts to adapt them for vegetarians, and the label “meat diet” is scorned by some low-carbers). Other approaches go even further and promote the idea of completely eliminating carbohydrates from the human diet. Living a “no-carb” or “zero-carb” lifestyle entails not only avoiding the usual “carb bombs” (grains, potatoes, rice, sugar) but also all kinds of vegetables, fruit, most dairy products – in short, almost everything except for meat (including fish), water and, for some “no-carbers” at least, eggs, heavy whipped cream and a little hard cheese. But many of them stick to just meat…

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The burek – a pastry made of phyllo dough with various fillings, well-known in the Balkans, in Turkey (bürek) and also in the Near East by other names – probably arrived in Slovenia in the 1960s. Industrially, the most ambitious of the Yugoslav republics, Slovenia needed a workforce. And with that workforce – immigrants from the former Yugoslav republics – came the burek. To paraphrase Max Frisch: We called for a workforce and we got bureks! But the burek might have remained unknown to the majority of Slovenes if not, in the 1960s, “foreign” burek stands (run by Albanians from the former Yugoslav republic of Macedonia) appeared in various Slovene towns with high concentrations of immigrants or soldiers. Until the…

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Chop suey is unknown to most Chinese other than those from Kwantung Province. However, it was this cheap and simple dish that became the icon of Chinese food in the U.S. before the advent of new Chinese immigration beginning in 1965. But why was it chop suey that became so important out of the rich repertoire of Chinese cuisine? What was the social and cultural context that facilitated the popularity of chop suey? Chop suey first made its presence felt in the U S in the late 19th century. At that time, under the Chinese Exclusion Act, Chinese immigrants were expelled from lucrative jobs and forced to enter the service sector. Many Chinese chose to work in the restaurant industry.…

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Installation view: A Subtlety, or the Marvelous Sugar Baby. Photo: Jason Wyche, Artwork © 2014 Kara Walker, full photo credits here

A massive, brilliantly white, sugar-coated sphinx commanded visitors’ attention at the Kara Walker exhibition at the Domino Sugar Refinery in Brooklyn, New York last spring: At the behest of Creative Time Kara E. Walker has confected: A Subtlety or the Marvelous Sugar Baby
an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant. Referring to her artwork as a subtlety in the tradition of medieval and early modern confectionary sculptures, Walker highlights its character as a culinary political allegory: similar to the elaborate animal figurines and grandiose sugar buildings gracing the aristocratic tables of…

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