“I know you’re sick. It’s all that whiteman junk food we eat,” the elderly Aboriginal protagonist Charlie remarks towards his terminally ill friend. The Australian drama Charlie’s Country (directed by Rolf de Heer), which had its world premiere at the Adelaide Film Festival in October 2013, presents a fictional engagement with community life in the Northern Territory after the implementation of the Intervention. De Heer’s film emphatically addresses Indigenous people’s disadvantages—especially in relation to food and health issues. Since healthier options are inaccessible, Charlie and his community rely on the unhealthy food they can buy from the general store of their community and are consequently made ill by their diet. Charlie would prefer to hunt rather than consume the “whiteman…

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On Sunday, April 30th 2017, Oprah Winfrey, probably America’s best known talk show host,  sat down for that day’s episode of her weekly talk series SuperSoul Sunday.  She met Geneen Roth, author of several self-help books on eating, dieting and women’s spiritual life. Geneen and Oprah talked about a topic seemingly accompanying both middle-aged women for almost their whole lifetime, their long lasting “struggles” with food, dieting and their body—leading to life-changing insights Roth digested in her best-selling book “Women, Food and God.” I will, first, explore that show as a gateway to think about how food and body are dealt with in popular media. The show stands as a powerful example for how food and eating have become an…

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In the ever so popular sideshows of the 19th and early 20th centuries, the Fat Lady was a fascinating spectacle staged for the amusement, horror and repulsion of the visitors. She was one of the freaks who was feared, yet also marveled at for her assets, her fat body. Today, there are only few sideshows left (in Coney Island for instance), but the tradition of displaying so called freaks for amusement has not vanished, it has merely switched its medium to television, or more precisely to Reality TV, a genre that is overtly popular and profitable for broadcasting stations. The fascination with “real” people and their lives does not seem to cease as more and more programs that negotiate and…

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